Welcome to the latest instalment of our meet the team series, which, as the title implies will dive into the background of the amazing people that make up The Finish Line. Meet Funda Hassan, who joined us last week!įunda was born and raised in North London’s enthralling borough of Enfield. Most offline editors work closely with the online facility during the. Being Turkish Cypriot carries with it certain duties: primarily growing up with a huge family, spending weekends with cousins and long summers in the charming island of Cyprus visiting her grandparents. Your Avid computer might not even recognize them if you were to insert one into. Credits working on scripted factual programmes is a must and ideally. Sounds like torture…Īfter attending school in Enfield Funda made a rather dramatic relocation and moved to the south coast of England to study Media Practice and Theory at Sussex University. We are looking for a dynamic and creative Avid Offline Editor to work on a pilot. It was at this very venue that she discovered her passion for Offline Editing. The love of story telling emanated from being an editor on a film project on female MMA fighters. I have experience editing formatted series as well as crafting styles for new formats and extensive short form experience across Branded Content, showreels, and development taster tapes that have successfully led to commissions. Like many students on the course Funda was strongly urged to source media based work experience and build up a profile. I am a creative and organised offline editor who particularly enjoys shaping the emotional narrative of a film. Landing a job as a runner for an advertising post house Funda quickly learnt that this was the golden ticket into the industry. After graduating from Sussex, Funda moved back to North London and worked at the same venue as a runner. Not long after she shuffled to another Post House where she worked her way up to become an Edit Assistant. This shift to a larger post house facilitated Funda’s understanding of the industry and all the skills needed to grasp the technical knowledge of Post Production. After taking a 3-month break to travel India, Vietnam and Thailand Funda is back to work on her goal to become an offline editor. We asked Funda what advice she would give to her younger self to which she replied: She is an avid drama series and Netflix original fan, loves a big Turkish BBQ and can be mainly found spending time with her large family and newly born nephew! When not at work Funda busies herself by working on home editing projects, spends time with friends and discovering new hidden gems across London with her partner. Being separate means that the offline editor can carry it to the online. Selecting a region changes the language and/or content on and train as much as you can by keeping up with all software and updates. TAPE NAMES IN EDLS Tape name is incredibly important to the Avid and, if you. Avid media was digitised as OMFI (Open Media Framework Interchange) format. These systems exclusively used external fast SCSI drives (interfaced through a SCSI accelerator board) for media storage. AVIF file size is 10 times smaller than JPEG with the. Additionally, Avid marketed the Media Composer 400 and 800 as offline-only editors. You don't have to watch them in any specific order just watch the ones that will help you form a complete picture of working with Premiere Pro. I also recommend learning about this common technique for migrating a project from Avid Media Composer to Premiere Pro. AVIF is the youngest, but most efficient and advanced codec for image compression. The following nine videos will help you get the most out of using Premiere Pro from the perspective of a professional editor who has used Avid Media Composer for many years. Avid Media Composer is one of the oldest and most full-bodied non-linear editors in the film and television industry. By understanding how this nonlinear editor (NLE) works, you can easily avoid some common traps you might otherwise encounter. In this tutorial series I explain how you can become familiar with the different, yet familiar user interface of Premiere Pro. Switching from Avid Media Composer to Adobe Premiere Pro needs few adjustments to get yourself working right away. It's just like driving a car: Once you know how to drive one, you can easily switch to another. As a video editor, I apply all the necessary techniques that are relevant to my craft, no matter which editing system I use.
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